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Elinor's face was perplexed. "But I don't see what can be done," she said gently. "I'd hate to have the thing dragged up before the school again. Of course, if it had been denied right then and there, I'd have been very glad, but now, after all these days——","You have certainly made out a strong case against this man," said Meg, after a pause, "but it is all theory. Your proofs?","Can I do so?",CHAPTER XIV. LADY MEG.,"Isn't it jolly—to be here in a real Academy of Fine Arts, just like all the famous artists when they were young and unknown? Doesn't it make you feel all excited and quivery, Norn?" asked Patricia, as she fitted her key into the narrow gray locker with an air of huge enjoyment. "I don't see how you can look so cool. You are as calm and refrigerated as a piece of the North Pole.",She followed Elinor into the larger room where a feeble daylight, filtering in through heavily grated basement windows, struggled with the flaring gas jets, and the odor of cocoa and bread and butter mingled with sachet and the fumes of turpentine and paint.,"Return to my house and see Etwald!","Am I asked?" demanded Patricia with eager eyes.,Bruce flung the door wide.,"Yes. I am sure of it.",Lastly Etwald. It is difficult to describe the indescribable. He was austere in face, like Dante, with hollow cheeks, and a pallid hue which told of midnight studies. If he had passions, they could not be discerned in his features. Eye and mouth and general expression were like a mask. What actually lay behind that mask no one ever knew, for it was never off. His slightly hollow chest, his lean and nervous hands, and a shock of rather long, curling hair, tossed from a high forehead, gave Etwald the air of a student. But there was something sinister and menacing in his regard. He looked dangerous and more than a trifle uncanny. Physically, mentally, morally he was an enigma to the bovine inhabitants of Deanminster and Hurstleigh.,"I'll slip in behind the door screen," she thought, "and see what's going on. Elinor may need me.".